Like Ford’s film, Kunuk's Maliglutit (Searchers) explores the repercussions of violence, asking whether these hunters have begun to act like those who have torn apart their family. Very unlike Ford, Kunuk questions not only the colonial ideology inherent to the western genre, but also the possibility of justice in a seemingly unjust world. With a tale as timeless as the landscape in which it is set, Canada’s foremost Inuk filmmaker has provided us with another classic.
Zacharias Kunuk (Inuk)
In 2015, Atanarjuat was selected as TIFF’s number one Canadian film of all time. Kunuk has directed shorts such as Exile and Home and features such as Maliglutit, which won the CSAs for best film and screenplay. He recently directed the series Hunting With My Ancestors and executive produced SGaawaay K'uuna (Edge of the Knife). His latest feature, One Day in the Life of Noah Piugattuk, premiered at TIFF 2019. Most recently, he directed the short The Shaman’s Apprentice, which won the CSA for Best Animated Short among other awards at festivals worldwide.
Zacharias Kunuk (Inuk), Norman Cohn
Benjamin Kunuk (Inuk), Karen Ivalu (Inuk), Jonah Qunaq
Cara Di Staulo, Jonathan Frantz, Zacharias Kunuk (Inuk)
BIPOC Stories, Indigenous Filmmaker
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