Interest: Technical

Key Grip

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Key Grip

What does a Key Grip do?

The Key Grip is the head of the grip department on a production. Key Grips have the same qualifications as Grips, but they are the ones in charge of all the grips working on the production.

Before filming starts, the Key Grip breaks down the script and works out (with the DoP and Director) what equipment will be needed to support the cameras for each scene. They make a list of any special equipment they may need and work with the production to get the best crew. They go on scouts to check out the location. If filming is taking place at a location with extreme climates, like the Sahara desert or the top of Mount Everest, they might need to adapt the equipment for the camera maneuvers.

Key Grips need to figure out how to correctly build the rigs and equipment so the rest of the team can execute the creative vision. They map all the supports for the lighting and camera departments to coincide with the plans created.

During production, the Key Grip will be in charge of the grip department and organize the construction or adjustments to any structure created. They do this with the help of the Best Person Grip, who manages the day-to-day tasks.

What's a Key Grip good at?
  • Knowledge of cameras and supports

    Understand the technical requirements of cameras and of the baseplates, dollies, cranes, and jib arms on which they are mounted

  • Leadership

    Motivate and communicate well with everyone throughout the project, take responsibility for decisions and outcomes, create a good working atmosphere

  • Innovation

    Think quickly of practical solutions to problems, adapt equipment to particular environments

  • Communication

    Listen to the Director of Photography, be able to explain and share information with actors and the rest of the crew, especially when under pressure

  • Lifting

    Know how to lift safely, and have the stamina

Who does a Key Grip work with?

The Key Grip will work very closely with the Grip Department. They also will work closely with the Director of Photography and the Director to work out the rigging plans for production. Along with the Director of Photography, they will also work alongside the Camera department and electrical department.

How do I become a Key Grip?

The best way to begin would be to contact your local IATSE union for trainee programs. They may be able to place you on a production willing to take on a Grip Trainee. After you’ve met the qualifications of a Grip, you can begin to apply for positions on unionized productions.

After being a grip for a number of productions and feeling confident in the field, you can use that experience to become a Best Person Grip. This is the second in command in the Grip department, before finally moving up to Key Grip.

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For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Key Grip

Grip Department

A Key Grip works in the Grip Department

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Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Special Effects Makeup Artist

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Special Effects Makeup Artist

Also known as: SFX Makeup Artist

What does a Special Effects Makeup Artist do?

A Special Effects Makeup Artist (SFX) is a specialized member of the Makeup team responsible for creating specialized makeup effects such as abrasions, bloody wounds, deformities, bruises, supernatural beings, zombies, etc. They use different materials to create prosthetics, which are fake additions to the actors body to make them appear this way. In some situations a SFX Makeup Artist might also be responsible for creating an “aged” look. Depending on the script, they estimate the time and cost of making prosthetics and create bald caps, prosthetic pieces, facial parts, and scars.

Mold-making, casting, applying and removing prosthetics, and working with common materials such as latex and silicone are their responsibilities. They must be skilled in procedures such as face and body aging, bald cap creation, and wound or scar creation. Normally, they will use make-up artists and assistants to apply the prosthetics to the actors themselves (which can take hours). They usually stay on set to make sure the prosthetic is in good working order.

They work closely with the rest of the Makeup team and the Prosthetics team to create these unique looks. They usually come equipped with their own kit.

What's a Special Effects Makeup Artist good at?
  • Makeup Techniques

    Must understand traditional makeup techniques, along with specialized makeup techniques.

  • Creativity

    A vivid imagination, as well as the ability to create and solve problems in novel ways, are required, along with the necessary technical skills and experience. Great design and interpretive skills, as well as the ability to comprehend a project's prosthetics requirements and implement them in both practical and imaginative ways.

  • Organization

    One SFX Makeup Artist might be responsible for dozens of looks on one production

  • Collaborating

    Works closely with several different departments to create a specific look

  • Research

    Must be able to research intricate details of wounds, abrasions and deformities in order to recreate the looks effectively

  • Working with materials

    Such as foam, latex, and silicone, as well as processes like mold-making and casting. Tattoos, false noses, wounds, and scars are all common prosthetics requirements.

Who does a Special Effects Makeup Artist work with?

A SFX Makeup Artist works closely with the Costume, Makeup and Hair departments to assemble a whole look. They may take suggestions from the Production Designer over the severity of a look to fit in with the whole design. SFX Makeup Artists work closely with talent as well. They also work directly with actors.

How do I become a Special Effects Makeup Artist?

SFX Makeup Artists are trained through college, usually Cosmetology school, but this is not necessarily the only route to becoming a SFX Makeup Artist. You can also apprentice under a senior SFX Makeup Artist and learn the techniques this way. Keep a portfolio of all your looks to show potential gigs.

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For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Special Effects Makeup Artist

Hair and Makeup

A Special Effects Makeup Artist works in the Hair and Makeup department

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Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

VFX Supervisor

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VFX Supervisor

Also known as: Lead Visual Effects (VFX) Artist, Senior VFX Artist

What does a VFX Supervisor do?

This role is responsible for overseeing all VFX work and managing technical and artistic VFX personnel. While it is a creative role, most Visual FX Supervisors possess a strong technical background and are capable of making informed decisions about the most efficient and effective technique to employ to solve the problem at hand. Often a supervisor will work in tandem with a Visual Effects Producer and Computer Graphics Supervisor.

VFX Supervisors begin their work on a project in the early stages of pre-production. They are the main point of liaison between a VFX studio and the Director or Producer of the film or TV program. Together, they decide on what VFX is needed for every shot of the film. VFX Supervisors then work with the VFX Artists to create prototype materials to present. These can include concept art and 3D computer-generated images (CG). The prototype materials help to inform the style of the VFX in the production.

VFX Supervisors are present for filming during production so that they can see if the shots are satisfactory and will work with the VFX elements. VFX supervisors continue to lead their team when the film is being put together during post-production. They oversee the quality of all work produced and make sure that it is in line with the vision of the Director and/or Producer.

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What's a VFX Supervisor good at?
  • Art

    Have excellent design, layout, colour, and composition skills

  • Knowledge of photography

    Understand cameras, cinematography, and how films are made, be able to influence the shoot so it works for the VFX

  • Knowledge of VFX programs

    Be adept at using relevant programs such as Maya, Blender, Nuke, and Photoshop

  • Collaboration

    Work in pre-production with the director or producer to decide on which shots will need VFX work, respond to their creative and artistic direction

  • Leadership

    Share the director or producers’ vision of the film with the VFX artists of all departments, inspire them to do their best work, manage their output in terms of quality and deadlines

  • Communication

    Be able to clearly articulate what needs to be done on-set to achieve the desired VFX shots, be able to relay information between the production and your artists

Who does a VFX Supervisor work with?

VFX Supervisors work with film Directors and Producers. Together, they decide on what VFX is needed for every shot of a film. They also lead all of the different kinds of VFX Artists within a VFX company or studio.

How do I become a VFX Supervisor?

The VFX Supervisor job is the highest leadership role within an entire VFX company or studio; therefore, you will work in other, more junior, VFX roles first before reaching this position. VFX Supervisors need the same technical skills and relevant software proficiency as Junior VFX Artists do, so you could start VFX work as a Roto Artist or Prep Artist and progress from there. In this case, an important thing that you can do is to create a show-reel to illustrate your abilities (even established VFX supervisors can have their own show-reels). Alternatively, you can start work in the production department as a Production Coordinator or Production Assistant and go from there.

Educational requirements: A college degree in film and TV production, computer animation, or art and design is key. These are taught at many colleges, universities, and art schools. Training in the use of visual effects and animation software is a must.

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For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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VFX Supervisor

Effects Department

A VFX Supervisor works in the Effects Department

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Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Compositing Supervisor

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Compositing Supervisor

Also known as: Comp Supervisor, Head of Compositing

What does a Compositing Supervisor do?

Compositing Supervisors are in charge of the department that puts together all the different elements of the visual effects (VFX) shots. They manage the Compositors, who do this work, and check it for quality. They are also responsible for ensuring the continuity of colour between shots.

Compositing Supervisors are very experienced in compositing. They are experts in taking different digital materials, like computer-generated (CG) images and live-action footage, and combining them to appear as one cohesive shot. They organize the team of Compositors to meet the deadlines so the film or TV production company gets the VFX work on time. They may also composite shots themselves if needed.

Compositing Supervisors tend to be employed by VFX companies or studios rather than being freelancers.

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What's a Compositing Supervisor good at?
  • A good eye

    Recognize what makes an image appear realistic in terms of light, colour, composition and perspective

  • Knowledge of photography

    Understand cameras, cinematography and how films are made

  • Communication and leadership

    Be able to manage compositors and share the creative vision of the project with them, inspire them to do their best work, manage their output in terms of quality and deadlines

  • Organization

    Plan workflows with a view to meeting deadlines, distribute work amongst your team

  • Knowledge of VFX programs

    Be adept at using relevant programs such as Adobe After Effects, Blackmagic Fusion, Blender, Cinema 4D, Houdini, Maya, Nuke, RenderMan and 3ds Max

Who does a Compositing Supervisor work with?

Compositing supervisors work with the Compositors in their team. They also have to work out precisely what’s needed and the order in which things need to be done. They work with the head of the whole project (the VFX Supervisor) and with the Computer Graphics (CG) Artists in order to do that. They also talk to the film production company and VFX Producers.

How do I become a Compositing Supervisor?

Supervisor roles are some of the most senior in film production. To be a Compositing Supervisor, you need to have four or five years’ experience in a senior VFX role, such as senior Compositor or a technical director (TD) role. You can start off in a more junior VFX role, such as Motion Capture Technician, Prep Artist or Roto Artist. You might find a company that’s offering a junior compositor position.

A degree in a VFX subject is useful too. Or you might want a degree in animation, computer programming or computer science. It’s important to create a show-reel that shows off your abilities (even established compositing supervisors can have their own show-reels).

Here are some tips:

Build a portfolio: Learn the software, experiment with VFX programs and create a show-reel that you can show to collaborators or employers. Focus on producing a portfolio which includes relevant work to showcase your immediate practical skills This is essential. It’s really important to develop your appreciation for VFX. Make sure you’re familiar with what’s out there.

Get VFX industry skills: There are various VFX image and video-editing programs in which it’s useful to receive training.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Compositing Supervisor

Effects Department

A Compositing Supervisor works in the Effects Department

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Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Compositor

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Compositor

Also known as: Compositing Artist, Finishing Artist, Visual Effects (VFX) Artist

What does a Compositor do?

Compositors create the final image of a frame, shot, or sequence of a film, television show, or animation. They take all the various digital materials used (assets), such as computer-generated (CG) images, background plates, graphics and special effects (SFX), live-action footage, and matte paintings, and then combine them to appear as one cohesive image and shot.

Compositors consider visual aspects of a scene, such as realistic lighting. Anything caused by light hitting a “lens” is a compositor’s responsibility. They relight in order to improve the look of the image. They also create shadows and motion blurs as necessary to improve the shot.

Compositors are also responsible for continuity; making sure art from different sources and different artists looks the same. They make sure the blacks and other colours match each other in the image. They spot mistakes and either correct them or send the work back through the pipeline to be improved. Compositors ensure the overall style of the film is consistent and in line with the director’s vision.

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What's a Compositor good at?
  • A good eye

    Recognize what makes an image appear realistic in terms of light, colour, composition, and perspective. Be able to scrutinize the media and work on compositions until they appear cohesive and consistent

  • Knowledge of photography

    Understand cameras, cinematography and how films are made

  • Knowledge of compositing programs

    Be adept at using relevant programs such as After Effects, Blackmagic Fusion, Houdini, Maya, Nuke, and Photoshop

  • Knowledge of the animation production pipeline

    Have a thorough understanding of the computer-generated animation process

  • Collaboration

    Be able to work with other VFX artists, use each other’s resources effectively and efficiently

  • Working to deadlines

    Work within given time frames, be able to complete work under pressure

Who does a Compositor work with?

Compositors work with the Visual Effects Supervisor to understand the final expectations. They also work with the various artists that create all the different elements such as:

Lighting technical director (TD)

There is some overlap between, and blurring of responsibilities of, the work of Compositors and Lighting Technical Directors (TDs), as lighting is such an important part of a film. Lighting Technical Directors are incharge of managing and creating the artificial lighting in a scene to match the scene requirements. Whether that be to match it realistically or add more of a fun lighting scheme.

Roto Artist

Roto Artists work closely with Compositors, as the mattes which Roto Artists produce serve as important layers for Compositors to work with. Often, Roto Artists work towards being promoted to a Compositor position. Compositors are expected to know how to rotoscope.

Compositors will also often work with Background Designers, Matte Painters, and Compositing Supervisors.

How do I become a Compositor?

It takes many years working in the industry to become a Compositor. However, some companies have Junior Compositor roles, which give you the opportunity to develop into a Senior Compositor position. You might get into a Junior Compositor role straight after college or university, or you might start in a related role, such as a roto artist or modeler, and work your way into the compositor role from there. The most important thing that you can do to become a Compositor is to create a showreel to illustrate your abilities to potential employers. A degree in VFX is useful too, especially as it gives you time to build up a portfolio.

Build a portfolio: Learn the software, experiment with programs, and create a showreel that you can show to potential collaborators or employers. Focus on producing a portfolio that includes relevant work to showcase your immediate practical skills. This is essential. Make sure you’re familiar with what’s out there.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Compositor

Effects Department

a Compositor works in the Effects Department

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Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Roto Artist

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Roto Artist

Also known as: Junior Visual Effects (VFX) Artist

What does a Roto Artist do?

Roto Artists manually draw around and cut out objects from movie frames so that the required parts of the image can be used, a process known as rotoscoping.

The parts of an image that are wanted after cutting out are known as mattes. Roto Artists work on the areas of live action frames where computer-generated images (CGI) or other live-action images will overlap or interact with the live image.

If the live-action camera is not moving within a shot, rotoscoping might involve only one frame. If the camera’s moving, roto artists trace the relevant areas of every frame within the shot so that CG can be combined accurately with the live-action. Roto Artists need to have a keen eye and patience in order to complete this meticulous and repetitive work.

In addition to rotoscoping, Roto Artists assist in the preparation of material for compositing.

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What's a Roto Artist good at?
  • Drawing skill

    Trace accurately with a good line

  • Patience

    Be methodical and thorough, taking care to rotoscope well so as to help to produce a high-quality final image

  • Knowledge of programs

    Be adept at using relevant programs such as Photoshop

  • Delivery

    Work well with strict deadlines, be able to complete work under pressure

  • Taking initiative

    Observe what’s happening, be proactive, ask questions at the appropriate time

Who does a Roto Artist work with?

Roto Artists work most closely with Compositors, as the mattes which Roto Artists produce serve as important layers for Compositors to work with. They pass on their work to Prep Artists, as part of a VFX production pipeline, to help prepare plates for Compositors.

How do I become a Roto Artist?

It is important that you create a showreel to show potential employers and collaborators what you can do. In terms of formal education, there are degrees available specific to the VFX industry, and they can help you to become a Roto Artist.

Build a portfolio: Learn the software, experiment with VFX programs and create a showreel that you can show to collaborators or employers. Focus on producing a portfolio which includes relevant work to showcase your immediate practical skills.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Roto Artist

Effects Department

A Roto Artist works in the Effects Department

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Our Partner, ScreenSkills UK is the industry-led skills body for the UK screen industries. For further information, www.screenskills.com.
Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Motion Capture Technician

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Motion Capture Technician

Also known as: Mocap Tech

What does a Motion Capture Technician do?

Motion capture jobs, often shortened to Mocap, focus on using a special camera and set of tracking systems to record movement for later animation.

In the capture, cleanup, and processing of high-quality 3D motion capture data for both real-time in-game animation and pre-rendered cinematics, a Motion Capture Technician works closely with the Lead Animator and animation teams. Before, after, and during shooting, the Motion Capture Technician is in charge of setting up and maintaining the motion capture studio. During shots, Motion Capture Technicians will be in charge of running the capture station and ensuring high-quality marker tracking and motion capture.

When appropriate, the Motion Capture Technician can also provide direction, comments, and support to the performers on site. In preparation for the animation team, they’ll also be responsible for cleaning up the marker data and processing it using a custom pipeline. Mocap experts collaborate with the animation team to design, refine, and optimize the studio’s motion capture method and pipelines.

What's a Motion Capture Technician good at?
  • Being accurate

    Be methodical in your work, pay close attention to detail, have strong problem-solving skills

  • Technical knowledge of cameras and animation

    Have an in-depth understanding of all motion picture equipment, cameras, lenses, monitors, and lights

  • Understand the animation pipeline

    Know the process through which animation productions are made

  • Using software

    Use the data sharing application, be able to operate and maintain your data collecting equipment yourself

  • Being efficient

    Work quickly and accurately on set so that the physical production can run smoothly, organize and prioritize your tasks

  • Programming and coding skills

    Have knowledge of programming with a high level of technical ability

  • Communication and teamwork

    Communicate well with the other technicians, and animations artists, when necessary so that there is a cohesive and structured file storage system

  • Organization

    Be attentive to the detail of the files and data that you process and store, maintain a working system of file storage

  • Efficiency

    Work quickly and accurately, organize and prioritize your tasks

Who does a Motion Capture Technician work with?

Motion Capture Technician works closely with the Lead Animator and animation team. They communicate with all of the other departments in the animation company, as well as the talent. On set, they work with the Director and specialized camera team.

How do I become a Motion Capture Technician?

Like many roles in film and TV, there are many routes to becoming a Motion Capture Technician. From getting degrees, diplomas, certificates, internships, apprenticeships, or even freelancing and volunteer work, there is no standard recipe. Training on set is also a great route, and there are lots of ways to do it, both extended and short-term.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Motion Capture Technician

Effects Department

A Motion Capture Technician works in the Effects Department

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Our Partner, ScreenSkills UK is the industry-led skills body for the UK screen industries. For further information, www.screenskills.com.
Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Computer Graphics Supervisor

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Computer Graphics (CG) Supervisor

Also known as: Senior CG Supervisor, VFX Artist

What does a CG Supervisor do?

Computer Graphics (CG) Supervisors are ultimately responsible for the delivery and quality of the 3D computer-generated (CG) elements of a VFX project.

Before a film goes into production, CG Supervisors identify areas of the VFX work that need to be researched by Software Developers. They design the VFX pipeline – which means they decide the order in which the work needs to be done. They manage the team of Technical Directors (TDs), helping decide which digital tools need to be created to streamline the pipeline.

Once production is underway, they supervise the creation of all CG imagery and manage the artists creating it. Some walk around the desks of the VFX Artists to check their work and provide feedback. They ensure the art is true to the vision of the film or TV Director. Once complete, the art, or assets, are given to the compositors who put the whole scene together.

CG Supervisors tend to be employed by VFX companies or studios. Supervisor positions are some of the most senior in these companies; as such, CG Supervisors are often involved in the hiring process for new VFX Artists.

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What's a CG Supervisor good at?
  • Art

    Have a good eye, understand the principles of composition, know what looks good and why

  • Understand the VFX pipeline

    Know the process of how VFX get created, be able to plan and implement an effective pipeline

  • Working with Linux or Unix operating systems

    Know how to work with these operating systems, which are different forms of Microsoft Windows or macOS (Apple)

  • Knowledge of VFX programs

    Be adept at using relevant programs such as Adobe After Effects, Blender, Cinema 4D, Houdini, Maya, Nuke, RenderMan, and 3DS Max

  • Programming and coding skills

    Have knowledge of programming in C++ and Python with a high level of technical ability

  • Leadership

    Manage the VFX artists and the TDs within the VFX pipeline, inspire them to do their best work, manage their output in terms of quality and deadlines, review and inform all creative work

Who does a CG Supervisor work with?

CG Supervisors work with the VFX Producer and VFX Supervisor to review budgets and schedules. They might also have discussions with the Producer and Director of the production company making the film.

In pre-production, they may identify areas of the VFX work that need to be researched and developed by Software Developers. They manage the TDs, such as Effects (FX) TDs and Rigging TDs, and lighting TDs. They are also responsible overall for the output of VFX artists such as Modelling Artists.

How do I become a CG Supervisor?

The CG Supervisor position is one of the most senior in VFX. Companies may ask for you to have at least five years’ worth of experience working in a senior film or TV production management or a senior VFX Artist role. Therefore, you can initially look for work in more junior-level positions in VFX, such as being a Motion Capture Technician, Prep Artist, Roto Artist, and then progress from there. Alternatively to the VFX artist route, you can start work as a Production Assistant in the production department.

Along with the desired length of work experience, employers also expect you to be skilled in using one or some VFX program(s). These likely include Houdini, Maya, Nuke, and RenderMan. It is also useful to have a knowledge of scripting languages such as Python and C++.

Here are some more tips:

Get a degree: There are degree courses available in computer animation, computer programming, computer science, mathematics, information technology that would provide you with useful experience and knowledge towards becoming a CG Supervisor.

Create your own showreel: An important thing that you can do is to create a showreel to illustrate your abilities (even established CG Supervisors can have their own showreels).

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Computer Graphics Supervisor

Effects Department

A CG Supervisor works in the Effects Department

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Our Partner, ScreenSkills UK is the industry-led skills body for the UK screen industries. For further information, www.screenskills.com.
Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Data Capture Technical Director

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Data Capture Technical Director

Also known as: Data Capture Technician

What does a Data Capture Technical Director do?

Data Capture Technical Directors (TDs) go onto a film or TV set to collect information about the live-action footage that the teams in the VFX studio need to add visual effects to.

They take photographs of the set and the way the cameras are positioned. They “capture data” about the type of lens being used, its focal length, filters, focus and color temperature. They also record the camera height, camera mount and distance between the camera and actor, along with other details. They also take photos of surfaces so that the textures can be recreated digitally later on.

All this information is necessary so the exact live action scene can be recreated digitally later on, and so the VFX can be incorporated in a believable way.

Data Capture TDs use a variety of tools to capture data, including cameras and a ‘total station’ which electronically measures horizontal and vertical angles and distances.

They upload, log and backup all data, before sending it on to the relevant members of the VFX company on a daily basis.
Data Capture TDs tend to be employed by VFX companies or studios rather than working as freelancers.

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What's a Data Capture Technical Director good at?
  • Being accurate

    Be methodical in your work, pay close attention to detail, have strong problem-solving skills

  • Technical knowledge of cameras

    Have an in-depth understanding of all motion picture equipment, cameras, lenses, monitors and lights

  • Understand the VFX pipeline

    Know the process through which visual effects are created

  • Using software

    Use the data sharing application FileMaker Pro. Be able to operate and maintain your data collecting equipment yourself

  • Being efficient

    Work quickly and accurately on set so that the physical production can run smoothly. Organize and prioritize your tasks

Who does a Data Capture Technical Director work with?

Data Capture TDs work with Camera Trainees and Camera Operators on set to gather data about the cameras, camera shots and lenses. They also work with Script Supervisors to the same end.

Data Capture TDs work with the VFX Supervisor and Motion Capture Technicians on set to ensure that the sets and actors have tracking markers placed on them in the necessary way so that the footage can be used by the Motion Capture Technicians and Roto Artists.

They also need to communicate with the various VFX Artists and Compositors who will be using the information that they have provided.

How do I become a Data Capture Technical Director?

Employers tend to want you to have a couple or more years’ experience working either on sets or in VFX before taking you on as a Data Capture TD. As such, one career path is to work in the camera department in the film and TV drama industries. This will give you good knowledge of cameras so you can more accurately collect camera data as a Capture TD. It also gives you on-set experience. Another route is to first work for a VFX company as a Motion Capture Technician. That is an entry level role in the VFX industry. It gives on-set experience and also involves working with Data Capture TDs to place tracking markers on actors or parts of the set.

Here are some tips:

Get a degree: It is not essential to have a degree in order to become a Data Capture TD. It is important to understand photography and cameras; both the DSLR and film varieties. Alternatively, you can take a degree in computer graphics, computer science, computer animation or VFX-related subjects.

Educational requirements: You can take courses in art, art and design, graphic design or communication, computer or computing science, and math.

Get an internship: Internships are jobs with training. They’re a great opportunity to earn while you learn. You might want to enter the VFX industry through an apprenticeship as an Assistant Technical Director.

Build a portfolio: Get as much experience as you can in photography, both still and moving images. Create a stills photography portfolio that you can show to admissions personnel or employers. Go to build your VFX portfolio to learn how.

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For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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Data Capture Technical Director

Effects Department

A Data Capture Technical Director works in the Effects Department

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Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

data input output technician

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Data input/output (I/O) Technician

Also known as: Data Technician

What does a Data I/O Technician do?

Data Input/Output (I/O) Technicians are responsible for organizing, transferring and storing the computer files and data for a VFX production company.

They manage the computer storage and retrieval systems, including company hard drives. VFX companies process large amounts of data because they deal with high-quality video files and digital 3D animation files. They know different digital camera formats such as Alexa, Cannon, Phantom, Red, etc. Data I/O Technicians troubleshoot any issues that come up to do with file storage.

Data I/O Technicians ensure that all the transferring and storing of data is done securely and that files are encrypted wherever necessary. They make logs of all of the files that they receive and perform quality control checks on these files to see if there are problems or if the files are corrupted. They use file transfer programs in order to perform their role.

Data I/O Technicians give technical support to people working in a VFX pipeline when needed. They are usually employed by VFX companies or studios rather than freelancers.

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What's a Data I/O Technician good at?
  • Programming and coding skills

    Have knowledge of programming in C++ and Python with a high level of technical ability

  • Computing technical skill

    Be able to work in Microsoft Windows, macOS (Apple), Linux or Unix operating systems, understand how the data sharing application FileMaker Pro works and be able to use it, understand file transfer protocols (FTPs)
    Understand the VFX pipeline: know the process of how VFX get created

  • Communication and teamwork

    Communicate well with the other data I/O technicians, and VFX Artists, when necessary, so that there is a cohesive and structured file storage system

  • Organization

    Be attentive to the detail of the files and data that you process and store, maintain a working system of file storage

  • Efficiency

    Work quickly and accurately, organize and prioritize your tasks

Who does a Data I/O Technician work with?

Data I/O Technicians work with other Data I/O Technicians in a team. They communicate with all of the other departments in a VFX company. They also talk to the film production company about the files needed for creating the VFX shots.

How do I become a Data I/O Technician?

Data I/O Technicians tend to have a degree in computer science or information technology (IT). Employers may ask for up to two years’ worth of experience in either a similar role, Data Technician (including this role but in other industries, such as ‘Data Wrangler’), or in VFX, film or TV drama production management. Therefore, you can look at becoming a VFX Production Assistant first as this is an entry level position, and gain experience and promotion from there. Similarly, you can look for post-production Production Assistant roles. Ultimately, the most important factor of becoming a Data I/O Technician is developing and maintaining good IT skills.

Educational Requirements: You can study courses or programs in computer or computing science. You can possibly study long enough to get a degree in computer science or IT.

Look outside the industry: See if you can get a job as a runner with a 3D animation studio or company. This will help you build contacts, skills and knowledge related to VFX. Look for Data Technician, Data Wrangler or IT roles in any industry.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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data input output technician

Effects Department

A Data I/O Technician works in the Effects Department

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Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

VFX Editor

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VFX Editor

Also known as: Editor

What does a VFX Editor do?

VFX Editors work as the link between the film or TV production team, which shoots the live-action footage and the VFX studio that does the visual effects. A VFX Editor can be employed by a VFX studio or directly by the film or TV production company. The role varies depending on whether they are in-house (employed by the studio) or client-side (employed by the film or TV production company).

Client-side VFX Editor: Client-side VFX Editors work on set, while the live-action footage is being shot. They check everything is being captured in a way that makes it possible for the VFX to be created and integrated effectively. They keep track of the Director’s notes and make sure that the VFX Editor employed by the VFX studio knows about any changes that will affect the way the VFX needs to be created. The client-side VFX Editor brings drafts of the shots together so that the Director can see how they will look with the VFX incorporated and make sure the footage all comes together to create a cut of the film or TV programme that’s in keeping with what was signed off in previsualization.

In-house VFX Editor: In-house VFX Editors work closely with client-side VFX Editors but are responsible for ensuring that the VFX Artists at the VFX studio have everything that they need to create their work.
While the project is being worked on, the VFX Editor creates a workflow that allows the VFX Supervisor to evaluate the VFX Artists’ work and provide feedback on the aesthetic and on the technical direction. As the client approves shots or versions, the VFX Editor incorporates them into the current cut (edit) and oversees the passing of work back to the team that is editing the film or TV programme.

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What's a VFX Editor good at?
  • Attention to detail

    Be meticulous with a strong eye for detail, making sure all shots are of the highest possible quality

  • Editing

    Have a good understanding of story-telling and be adept at using editing software

  • Communication

    Have excellent communication skills, understand exactly what the desired effect is in each shot and give effective direction to achieve that, keep clients informed on progress

  • Organization

    Be on top of the work that needs to be done and its progress with a good understanding of the pipeline, keep track of any changes in the project and keep all staff informed

  • Working to deadlines

    Have very good time-management skills, make sure the project stays on track for its deadline and cope well with working under pressure towards tight post-production deadlines at the end of the project

Who does a VFX Editor work with?

Client-side VFX Editors work closely with the Director, Producers, Editors in post-production and in-house VFX Editors. In-house VFX Editors work closely with a large range of staff across the VFX pipeline. They work directly under the VFX Supervisor. They work closely with Data Input/Output Technicians, TDsand VFX Producers to manage all incoming media and outgoing deliverables. They also communicate with the client-side VFX Editor and the post-production Editor of the film or TV programme.

How do I become a VFX Editor?

VFX Editor is a senior role so you will need to gain experience of both working in VFX production pipelines and doing editing work. There are a variety of routes into this job. You might want to start working as Production Assistant or Assistant Technical Director in a VFX studio. Alternatively, you could find your way into the industry by working as a Post-production Assistant in a post-production studio. Most VFX Editors have a degree in computer graphics, animation or a related subject.

Get a degree: Provided you have strong show-reel and know VFX software, it’s not essential to get a degree to become a VFX Editor, but it can help.

Get an internship: Internships are jobs with training. They’re a great opportunity to earn while you learn. You might want to enter the VFX industry through an internship as an Assistant Technical Director or a Junior 2D Artist. If you can’t find an internship with a VFX company, it might be worth getting an internship in a related industry, such as games or animation, which could give you some experience to help you find your way into VFX at a later point.

Build a portfolio: Learn how to use, and then experiment with, VFX programs and create a show-reel that you can show to admissions personnel or employers.

Network: Get to know people in VFX by attending events. Meet professionals and ask them questions about their work, while demonstrating interest and knowledge in the sector. Offer to provide them with your professional contact details and try to stay in touch with them. Research VFX companies you’d like to work for. Go to their websites and check if they are advertising for junior roles in the art or technical art department. Even if they aren’t, send in your CV and showreel and ask them to bear you in mind for future positions.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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VFX Editor

Effects Department

A VFX Editor works in the Effects Department

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Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

VFX Producer

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VFX Producer

Also known as: Executive VFX Producer, Show Producer, Bidding Producer

What does a VFX Producer do?

VFX Producers manage the whole process of creating the VFX for film or TV. They make sure that the client, usually the film or TV series’ Producer or Director, is happy with what the VFX studio makes.

VFX Producers create the “deck” document through which they persuade the film or TV series’ Producer to take their VFX studio on to do VFX work on a project. VFX Producers put together the team of VFX Artists and other technical staff. They set the schedules for the work and they manage the budget.

While filming is happening, VFX Producers work closely with the live-action production crew. They also work with the Editor in post-production. They communicate between the crew and Editor. How much they interact with the client varies between studios. They might report to them on a weekly or even daily basis.

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What's a VFX Producer good at?
  • Organization

    Effectively plan and manage the project using VFX production pipeline organization software, be able to budget accurately

  • Leadership

    Be confident in giving direction and leading a team, communicate well with everyone, create a positive atmosphere within the team

  • Knowledge of VFX

    Understand all aspects of VFX pipelines, know the processes, the creative challenges and the software used by the artists

  • Problem-solving

    Anticipate any issues that might occur during the project, adapt to changing timescales and technical issues

  • Working with clients

    Communicate well with the film and TV producers, keep them informed it things don’t go to plan, be diplomatic, keep good relationships

Who does a VFX Producer work with?

VFX Producers communicate with the Producer or Director of the production company making the film. Within their own studio, they work closely with the VFX Supervisor, who oversees the creative work. The VFX Producer then works with the Production Manager and Production Coordinators to make sure the work is done on time.

How do I become a VFX Producer?

VFX Producer is a senior position so you’ll need a lot of experience in VFX first. Some get to the role of VFX Producer by working first as a Production Assistant in VFX and then as a Production Coordinator and then a Production Manager. Others come in through a VFX art route; you can start off as a Junior VFX Artist and then gain experience to become a Compositor or Technical Director (TD) and then move into production management.

You need to have excellent leadership and organization skills. A degree in VFX or a related course is a good idea for this role. VFX Producers have excellent project management skills.

Here are some tips:

Get a degree: You could either take a degree that equips you with the technical skills of a VFX artist or a degree in film production.

Create some VFX sequences: A good way of understanding the processes in VFX, is to learn the software, and start making some.

Look outside the industry: See if you can get a job as a Production Assistant with a 3D animation studio or company. This will help you build contacts, skills and knowledge related to VFX. While you are trying to break into VFX production, get management or project management experience. Any job that involves planning, organizing and budgeting will give you good experience.

Take a short course: Hone your skills in production management by taking a specialist course.

Search for jobs: Research VFX companies you’d like to work for. Go to their websites and check if they are advertising for junior roles. Even if they aren’t, send in your CV and showreel and ask them to bear you in mind for future roles or work experience. Keep looking on job websites too.

More tips

For more tips on finding job opportunities, lists of training programmes, and other great resources, check out our Career Resources page.

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VFX Producer

Effects Department

A VFX Producer works in the Effects Department

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Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

Special FX Supervisor

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Special FX Supervisor

Also known as: SFX Coordinator, FX Coordinator

What does a Special FX Supervisor do?

Special effects (sometimes known as practical effects or SFX) are either manual or mechanical effects that are applied on set during production. Explosions, earthquakes, vehicle chases, animatronic dragons, and even atmospheric effects like fog and rain are now standard fare in any live-action feature picture.

The Special Effects Supervisor (also known as an SFX Supervisor or an SFX Coordinator) is in charge of a team of Special Effects Technicians who work together to create special effects. The SFX Supervisor is a senior-level professional in charge of ensuring that the effects are carried out efficiently and securely.

Early in pre-production, the SFX Supervisor reports directly to the Director and Producers to ensure that they grasp the Director’s vision for the effects. They also collaborate with Production Designers and Art Directors to iron out the finer points, such as how to attain specific appearances or what particular equipment they’ll need to construct. On-set special effects (SFX) or (SPFX) differ from those made in post-production, which are referred to as “visual effects” (VFX).

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What's a Special FX Supervisor good at?
  • Being accurate

    Be methodical in your work, pay close attention to detail, have strong problem-solving skills

  • Being efficient

    Work quickly and accurately on set so that the physical production can run smoothly, organize and prioritize your tasks

  • Familiarity with technical equipment

    From fog machines to high-tech prosthetics, SFX Supervisors are expected to understand, use, and even repair many complex pieces of equipment on set

  • Collaboration

    Work in pre-production with the director or producer to decide on which shots will need SFX work, respond to their creative and artistic direction

  • Leadership

    Share the Director or Producers’ vision of the film with the SFX artists of all departments, inspire them to do their best work, manage their output in terms of quality and deadlines

Who does a Special FX Supervisor work with?

The Special FX Supervisor works closely with the director, producer, actors, and all of the special effects department.

Special FX Supervisor

Effects Department

A Special FX Supervisor works in the Effects Department

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Our Partner, ScreenSkills UK is the industry-led skills body for the UK screen industries. For further information, www.screenskills.com.
Profiles and profile icons © 2022 ScreenSkills Limited. All rights reserved. No part of this publication may be reproduced without the permission of the copyright owner.
Job Profile Design by Dave Gray. Based on an original concept by Ian Murphy/Allan Burrell.

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