Filmmaker Nettie Wild notes that in Canada, the North American Free Trade Agreement, which went into effect in 1994, was a matter for lively discussion and political debate. In Chiapas, one of the poorest states in Mexico, it provoked an actual revolution.

In this remarkably clear-eyed and vivid documentary, Wild follows the Zapatista Army of National Liberation (EZLN) as they fight and evade the Mexican army. Wild takes viewers on a journey through fear and hope, telling a complex story of Indigenous rights and corporate interests in the wake of NAFTA.

The film won the Genie for Best Documentary, among several other awards.

A precocious 9-year-old with a wild imagination grows up amid her traditional Chinese immigrant family in Vancouver.

Based on Barbara Gowdy’s short story "We So Seldom Look On Love", Kissed tells the offbeat and unlikely story of Sandra (Molly Parker, who won the Genie Award for best actress for the role), a young woman whose lifelong preoccupation with death leads her to study as an embalmer at a mortuary school, where her romantic feelings about death blossom into full-blown necrophilia.
 
A fellow student (Peter Outerbridge) develops feelings for Sandra, but struggles to cope with her unusual and disturbing sexual desires. Kissed is a rare film about sexual awakening that manages to be both profoundly subversive and extremely tender.
 
“Stopkewich has managed the unlikely feat of making a film about necrophilia that is neither a black comedy nor a horror outing. Rather, she has crafted a poetic, provocative love story about sex, romance and death that is surprisingly endearing.” – Brendan Kelly, Variety
 

After going in and out of prison for over 30 years after a career of stagecoach robbing, Bill Miner is released in 1901 to a completely new reality. Lost about what to do next, Miner finds his inspiration for his next great adventure from the film The Great Train Robbery. His plan to commit the first ever train robbery leads to a thrilling heist and an intriguing tale full of twists and turns. 

Based on the true story of William Miner (nicknamed the Gentleman Bandit), The Grey Fox won 4 Genie Awards including Best Picture and has been included on TIFF’s top 10 list of the Best Canadian Films of All Time.

Maggie (Karyn Dwyer) is happy with her life in Vancouver. She works at an LGBTQ+ bookstore owned by Frances (Anne-Marie MacDonald) and has recently fallen head over heels with a young artist named (Christina Cox). When the couple decide to take their romance to the next level and move in together, everything seems perfect.

That is, until Maggie’s recently-divorced mom Lila (Wendy Crewson) and brother Paul turn up at her doorstep, looking to stay with her. The unlikely foursome end up sharing Maggie’s Vancouver loft, and Maggie must decide whether to keep her relationship – and her sexuality – a secret, or reveal who she really is to her well-meaning but naïve and conservative mother.

“Anne Wheeler's sexy, funny, poignant film, from a bright script by Peggy Thompson, is a real charmer, with considerable brains.” – David Noh, FilmJournal International

In this honest look at the mythmaking of heroes and what later becomes of them, acclaimed documentary filmmaker Alan Zweig profiles Steve Fonyo, a man who ran across Canada at the age of 19 after losing a leg to cancer, following in the footsteps of Terry Fox, and raising millions of dollars for cancer research while doing so.

Although his charity marathon in 1984 was a glorious success, his subsequent exploits — precarious jobs and petty crimes —find him in a state of financial ruin in one of Canada’s toughest neighbourhoods. The unbelievable run that became his life’s greatest achievement is now a crushing burden.

Zweig’s rare and sensitive portrait of a complex one-time hero won the inaugural Platform prize at the 2015 Toronto International Film Festival.

Director Patricia Rozema has made a brilliant career telling stories about the lives of strong women, and Into the Forest is no exception. Based on Jean Hegland’s novel, Into the Forest tells the terrifyingly plausible story of a not-too-distant future where the power goes out for good, and two sisters (Page and Wood) must stick together in their isolated, rural home without gas, water, electricity or any of the technological conveniences that we take for granted.

As with many science fiction stories, the scariest thing isn’t the loss of power, but the quick disintegration of human society. Without electricity or fuel, the threat of a lawless and terrifying existence looms near, even in the remote woods that the sisters call home. Page and Wood deliver fabulous performances, showcasing a range of emotions as the limits of their sanity, safety and family are tested.

By day, Arthur Poppington (Harrelson) works at a construction site; by night, he is the mighty Defendor, a costumed vigilante who keeps Hamilton safe from his arch nemesis, Captain Industry.

Outfitted in a homemade costume, Defendor may not have special powers, but he is nonetheless dedicated to protecting the streets and fighting crime. He battles a corrupt cop (Koteas), befriends the tough and streetwise Kat (Dennings) and schemes to bring down a local mob boss, all while a court-appointed psychiatrist (Oh) tries to get to the bottom of his conviction that he is, in fact, a superhero.

Turning the superhero genre on its head, Defendor is a bittersweet and emotionally affecting take on our comic book–obsessed culture.

This real-life adventure story is based on an actual Canadian WWII veteran and family man turned bank robber. Disillusioned by his post-war life, Eddie Boyd (Speedman) is torn between his desire to provide for his wife (Reilly) and his dream to go to Hollywood and become a star. Eddie is charming, ambitious and hungry for success, and ultimately turns to crime in order to attain it.

Eddie gets his start by recruiting a gang of small-time crooks and slowly turns them into a crack team of professional thieves. He launches a series of spectacular bank robberies, gaining notoriety and quickly becoming both a beloved national celebrity and public enemy number one. Part action-packed crime caper, part romance, this vibrant film brings an incredible true story to life.

Sandy (Margaret Langrick) is a bored 12-year-old preparing for another long and uneventful summer in rural 1950s British Columbia, when her older cousin, Butch (John Wildman), arrives unexpectedly from California in a shiny red convertible.

Of course, the impressionable Sandy is immediately dazzled by Butch’s cool, rock’n’roll swagger, whose appearance seems to promise all the excitement that Sandy has been longing for.

Based on writer-director Sandy Wilson’s own memories, My American Cousin won six Genie Awards including Best Picture, Best Director (Wilson), Best Original Screenplay, Best Actor (Wildman), Best Actress (Langrick), and Best Film Editing. It remains one of Canada’s best loved coming-of-age films.

“The film works a gentle spell around its viewer, and ends up leaving an unexpected lasting impression.” – Dustin Putman, The Film File

In 2016, scientists declared that the Earth has entered a new geological era, one that is entirely the consequence of humanity’s abuse of the planet. This documentary goes around the world illustrating the variety of ways that humanity has affected its environment.

In Kenya, authorities set fire to mounds of elephant tusks to protest the illegal ivory trade, resulting in a devastating display of the impact of poaching. In Russia and Germany, mining operations transform the land into an otherworldly wasteland. The unfathomable scale of the images created by these moments are equal parts beautiful and disturbing.

Following Manufactured Landscapes and Watermark, photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier conclude their award-winning trilogy with an urgent message to all the citizens of the world to see the consequences of our actions, before it’s too late.

Jason meets his great-great-greatgrandfather and soon finds himself in a hilarious debate about what it means to be a hunter.

Through his father’s gift of a secret and tiny hand-carved cedar canoe, an Indigenous child discovers the strength and resilience to endure his first year at a residential school.

Two Indigenous women from vastly different backgrounds find their worlds colliding on an East Vancouver sidewalk when domestic violence forces one of them, a pregnant teen named Rosie (Violet Nelson), to flee her home.

Àila (Tailfeathers) swiftly offers her shelter, and as their intimate yet challenging encounter develops, the women weave a fragile bond, and must face their own unique struggles with the complexities of motherhood, class, race, and the ongoing legacy of colonialism.

We have been changed in innumerable ways by the historical event of SARS-CoV-2. Ways that we haven’t begun to comprehend. In this short, an individual reflects on the chaos and monotony of the past year.

Jade Li (Oh), a vivacious Chinese Canadian, wants to become an actress without upsetting her extremely traditional parents. It’s a balancing act that Jade is finding difficult to achieve. Talking in English, wearing western clothes and going out with non-Asian guys, Jade leads a secret life when she leaves her stuffy-but-warm domestic scene each day. Things come to a head when Mark (Rennie), a white Canadian graduate student, insists on turning their casual fling into something more meaningful. It’s a relationship that Jade’s parents would hate. What should she do?

Sandra Oh won the Best Actress Genie for her performance. The film also won prizes in Vancouver, Berlin and Turin.

Meditation Park opens with Maria (Cheng Pei Pei), the matriarch of a Chinese-Canadian family, hosting a birthday celebration for her workaholic husband, Bing, (Tzi Ma), along with her similarly overworked daughter (Sandra Oh in a brilliant performance) and her own family.

Maria clearly reveres Bing and the sacrifices he has made for their family – so when she discovers another woman’s panties in his pocket, she's forced to confront the harsh reality that her world may not be what it seemed.

As Maria wrestles with what to do about her discovery, she befriends a group of local eccentrics and a grumpy neighbour (Don McKellar). Maria’s journey of self-discovery soon teaches her everyone’s lives are more complicated than she has been led to believe.

“Shum mines her favourite theme – immigrant experience in Canada – in what seems at first to be a gentle slice of life but eventually develops a powerful emotional force.” – Susan G. Cole, NOW Magazine
 
 

A lawyer (Holm), pursued by concerns of losing a daughter to drugs, comes to a Canadian town where 20 children have died in a school bus accident. He wants the parents to sue to make those at fault pay. Told partly in flashbacks that dramatize the days leading up to the accident, this heart-wrenching story follows the lawyer from family to family as he coaxes each to join the lawsuit.

As momentum for the case builds, he finds himself squaring off against the lone survivor of the accident (Polley), battling against the power of long-held family secrets. Based on the bestselling novel by Russell Banks, this shattering film won eight Genie Awards and garnered two Oscar nominations for Egoyan.

“Cuts to the bone and stays there long after its end credits have finished rolling.” — Michael Dequina, TheMovieReport.com

When a prominent Kitasoo/Xai’Xais activist passes away, his 14-year-old niece Ella (Blaney) embarks on a kayak journey to take his ashes home to Klemtu. It’s a race against the clock as Ella tries to make it back in time to give a speech protesting a proposed pipeline that would cross Indigenous land.

Ella is joined by her aunt, cousin and grumpy uncle (Cardinal), as the four paddle with all their might through the Inside Passage and past the shores of the Great Bear Rainforest. Join this family on the adventure of a lifetime that reflects on the importance of protecting our lands for future generations.

Winner of the 2017 imagineNATIVE Audience Choice Award.

When single mom Lena (Gee) realizes that her daughter may be in danger of succumbing to the same addiction issues she herself faced, she decides to leave the city with her and return home to her estranged mother (Podemski) in the rural community of her youth. The homecoming forces Lena to deal with her past and raises issues that test all three generations of this family of spirited women.

Powerful and inspiring, Empire of Dirt was nominated for five Canadian Screen Awards, including Best Picture.

“Empire of Dirt tells a traditional mothers-and-daughters story in a new way by making their Cree heritage and the role it has in their lives and relationships the true heart of the drama.” — Linda Barnard, Toronto Star


*Please note that this film has an Indigenous producer and screenwriter, but not an Indigenous director. imagineNATIVE defines an Indigenous-made film as one directed or co-directed by an Indigenous person.