The tenacious Bobby-Yves wakes up to find himself stranded in a blizzard, and must explore the landscape to find shelter and warmth before he succumbs to the icy white abyss. A suspenseful and unexpectedly humorous tale told through a beautiful, minimalist animation style, Le givre de Bobby-Yves is an instant classic.

While some children may want to run away and join the circus, Laura (Jasmine Lemée), a young girl in rural Quebec, has grown up in a travelling circus and desperately wants a normal life. Her father (Patrick Huard) is a clown in the circus and can't understand the need for a conventional life, believing that learning happens on the road. As their differences become more apparent, he must accept the fact that his daughter may not want to follow in his footsteps, and let her live the life that she wants.

Miryam Bouchard's debut feature Mon cirque à moi is a heartwarming and hilarious crowd-pleaser that celebrates the power of family in all of its forms.

In a film that explores the rights of non-human animals through the compassionate lens of international photographer Jo-Anne McArthur, we meet individual animals living within — and rescued from — the machine of our modern world. 

In 1994, then-General Roméo Dallaire was on the ground in Rwanda as a genocide unfolded. He returned to Canada haunted by these memories, and has found a new mission: to end the recruitment of child soldiers around the world.  

In this important and affecting documentary based on his book They Fight Like Soldiers, They Die Like Children, Dallaire travels across Africa and North America speaking with child soldiers, self-defence groups, militia leaders and those trying to help these children. As he searches for solutions to this horrific practice, animated sequences are interspersed to add the first-person voice of Michel Chikwanine, a former child soldier, who recounts a chilling story that makes it clear why this work is so crucial.  

“The cause couldn’t be more urgent… The face of the cause couldn’t be more eloquent.” – Rick Groen, The Globe and Mail

A mockumentary about the rise and fall of fictional country singer Guy Terrifico, featuring some legendary real-life stars

A malevolent rock star kidnaps a singer to force her to participate in the summoning of a demon, and her band must help her stop his evil plan. Canada’s first English-language animated feature, with songs by Iggy Pop and Lou Reed.

For his French-class assignment, a high school student weaves his family history in a news story involving terrorism, and goes on to invite an Internet audience in on the resulting controversy.

In this exploration of maternal and romantic love, two seemingly unrelated pairs — a couple and a mother and son — intertwine after a tragic accident. Starring Vanessa Paradis.

The first feature from internationally acclaimed director Xavier Dolan, J'ai tué ma mère explores the fraught relationship between 16-year-old Hubert (Dolan) and his mother (Dorval). With lingering tensions from his father leaving them, they live in a seemingly constant argument, and he does everything within his power to distance himself from her on a quest that strikes a perfect balance between heartbreaking and hilarious.

This semi-autobiographical coming-of-age story launched Dolan’s career, winning three prizes at Cannes before going on to international acclaim.

“A coming-of-age tale as ferociously raw as its teller” – Rick Groen, The Globe and Mail

Elsa (Sarah Polley) and Clive (Adrien Brody) are married scientists who defy legal and ethical boundaries by splicing together human and animal DNA to create a new organism. 

Ten-year-old Léon has a dysfunctional family, a big imagination — and a vandalism problem. Based on Bruno Hébert’s novel of the same name, and featuring Antoine L’Écuyer and Suzanne Clément.

At once creepy and thought-provoking, Saints-Martyrs-des-Damnés is an eerie and playful supernatural thriller. Tabloid reporter Flavien (Chénier) and his photographer buddy Armand (Robitaille) are dispatched to a rural Quebec village to investigate a series of mysterious disappearances. But things quickly begin to go awry when Armand vanishes on their very first night in town.

The town’s inhabitants are a strange group — a mayor who rules with an iron fist, the creepy twins running the motel, the woman who serenades cows, a masked mechanic, and many others. But Flavien can’t get anyone to help him, as they’re all suspicious and even downright aggressive toward him. With an arresting visual style and quirky sense of humour, the film pushes the boundaries of the conventional thriller, tackling questions about identity, responsibility and mortality in a refreshing way.

Four years after leaving her daughter (d’Eschambault) to be raised by her brother (Theis) and his wife (Marion), Renée (Vermette) returns to find an entirely different life from the one she left behind. The tensions caused by her arrival simmer under the surface as Renée clumsily adjusts back into a maternal role despite her young daughter having no memory of her. 

Featuring members of Vermette’s own family and community, this lovingly made personal project went on to win Best Canadian Feature at the Toronto International Film Festival in 2021.

“More experiment than straight-ahead narrative, Ste. Anne rewards patient, careful attention. The rewards are great.” - Barry Hertz, The Globe and Mail

After spending most of her life working as an Innu language translator and transcriber, Joséphine Bacon rose to fame late in life in her second career as an award-winning poet. This moving profile frames her life and work in a new context, offering a deeply personal look at an important literary figure in Canada.

Je m'appele humain premiered at the Quebec City Film Festival to great acclaim, and went on to receive four Prix Iris nominations, including Best Documentary.

Driven by a desire to spark change in her community, young activist Mani (Jacobs) returns to her reserve from the big city to promote the ending of alcohol prohibition on her reserve. When she runs into opposition from the local convenience store owner Nadine (Poupart), the two square off, forcing the divisive issue into the spotlight leading to unexpected consequences.  

This critically acclaimed first feature from Caroline Monnet is a thought-provoking and timely look at an ongoing debate that rarely gets the media attention it deserves. 

 

A heartwarming adaptation of Joseph Joffo’s novel, Un Sac de Billes follows 10-year-old Joseph (Le Clech), who is forced to leave his home in 1941 when Paris is invaded and occupied by German troops. Separated from his parents and with only his older brother to help him, Joseph must find a way to survive in the devastated French landscape in the Second World War. Joseph’s story is fraught with dangers, as he must disguise both his name and religion in order to have a chance of seeing his family again. Through his eyes, this emotional film shows the progression of the Second World War and its effect on the average citizen.

“Makes such a barbaric and bewildering chapter in human history comprehensible for young audiences.” – Matt Fagerholm, RogerEbert.com

Tia (Bshara) is a 10-year-old refugee from Syria, living in Montreal and struggling to make friends and feel comfortable in her new environment. While her parents are preoccupied with her mother’s pregnancy and the challenges of everyday life in a new place, Tia is left mostly to her own devices. 

Everything changes when she discovers a magical portal that transports her to Igloolik, a community in the Arctic Circle. There she meets Piujuq (Tulugarjuk), an Inuk girl who she quickly forms a deep bond with in spite of their cultural differences. Through their friendship, the stories of Piujuq’s grandmother, and their wanderings across the striking northern landscape, the girls are immersed in Inuit myth and magic. 

A heartwarming magical-realist fable about friendship and discovery, Tia and Piujuq is a delightful adventure for all ages. 

Laurie (O’Farrell) desperately wants to become a social media influencer, much to the chagrin of her roommate Elizabeth (Zazham). When she befriends her idol, Clara (Gosselin), a prolific content creator who seems to have a perfect life, Laurie starts to gain a following herself, and finally gets a taste of the life she wants. But as their friendship continues, and the façade that Clara constructed starts to fall away, Laurie comes to see the dark side of internet celebrity, and that she may already be in too deep.

An insightful look at contemporary young female relationships, Mélanie Charbonneau’s debut feature Fabuleuses was nominated for 5 Prix Iris, including best film and best actress. 

A delivery truck driver on the scene of a bank robbery takes two bags of money amidst the commotion, sending him down a rabbit hole of crime and bad decisions.

This hockey comedy is a true phenomenon. Les Boys has captured the hearts of Canadian audiences with its rowdy humour, down-to-earth characterizations and appealing plots.

Stan (Girard), the very likeable tavern owner and hockey coach, allows himself to run up a huge gambling debt to Meo (Lebeau), the local Mob boss. 

Meo offers Stan a deal: If his pub's team, Les Boys, can defeat Meo's band of thugs at a game of hockey, the tavern remains his. If not, the Mob will take over Chez Stan. Naturally, Les Boys, an out-of-shape group of hockey enthusiasts, are highly motivated to win the game. How they go about doing so, however, is a slapshot of laughs.