Simon’s friends and family have had enough of his compulsive lying. They try to stage an intervention for him but he refuses to accept that he has a problem. All of that changes when he wakes up to a bizarre reality where all of his lies and excuses have become true. His boss is a raving drunk, his sister-in-law is in love with him and basically everything that could go wrong does.

While everyone around him seems to think this reality is normal, his brother knows the truth and convinces him that the only way that everything can get back to normal is for him to kick his habit for good. The newest comedy from Émile Gaudreault (De Père en Flic), Menteur was a box office smash that is as funny as it is original.

It is 1961 in Kapuivik, north Baffin Island, and Noah Piugattuk’s nomadic Inuit band live and hunt by dog team as his ancestors did when he was born in 1900. When the white man known as Boss arrives at Piugattuk’s hunting camp, what appears as a chance meeting soon opens up the prospect of momentous change. 

Boss is an agent of the government, assigned to get Piugattuk to move his band to permanent housing, assimilate his children into settler society and give up their traditional way of life. 

Told through the extended showdown between Inuit camp leader Noah Piugattuk (Kotierk) and a government emissary (Bodnia) (as well as the translator who must help them communicate), One Day in the Life of Noah Piugattuk is a deeply absorbing account of a little-known and important piece of Inuit and Canadian history.

“One Day In The Life Of Noah Piugattuk illustrates Inuit-colonial relationships brilliantly.” - Kelly Boutsalis, NOW Magazine

In her last year of high school, straight-A student Antigone (Ricci) finds her life suddenly overturned when one of her brothers is murdered by a police officer, while the other is arrested. Having lived in Montreal since arriving as a refugee with her family over a decade ago, Antigone faces a terrible choice. She wants desperately to help her brother in prison, but doing so will put not only her promising future in jeopardy, but also her ability to stay in Canada. As her story becomes a media sensation, Antigone becomes a symbol for a movement of justice, as she makes a decision that will change her life forever. 

Despite being based on a tragedy over 2,000 years old, Antigone is an urgent and extremely timely story. It was the official Canadian submission for International Feature Film at the Oscars in 2019. 

“An intelligent, moving reworking of Sophocles' tragedy, electrified by a breakout turn from star Nahéma Ricci.” - Jessica Kiang, Variety

Following the passing of her father, a young woman living in Canada travels to visit her grandmother in Uruguay, finding that the culture there that once felt so familiar to her now feels completely foreign. Starring Arlen Aguayo-Stewart.

A few years after they infiltrated a therapy program for fathers and sons (as depicted in the hit film De pere en flic) in order to find a kidnapped colleague, Commander Jacques Laroche (Côté) and his son Marc (Houde) still have a pretty rocky relationship.

When the two cops find out that a Mafia lieutenant they’ve been tracking has signed up for a “bootcamp for couples” with his wife, Marc and his aspiring-Commander girlfriend Alice quickly sign up. Of course, getting close to his intended target while trying to save his relationship with Alice is going to be a tougher assignment than Marc realized. Especially when his father invites himself along, pretending to be the psychologist’s assistant.
 
This funny and feel-good take on the buddy cop genre was a box office hit in Quebec, winning the Golden Reel Award as the highest grossing Canadian film of 2017.

Based on an ancient Inuit legend, Atanarjuat is an epic tale of love, betrayal, and revenge. The beautiful Atuat (Ivalu) has been promised to the short-fused Oki (Arnatsiaq), the son of the tribe’s leader. However, she loves the good-natured Atanarjuat (Ungalaaq), a fast runner and excellent hunter. When Atanarjuat is forced to battle the jealous Oki for Atuat’s hand, the events that follow determine not only his fate, but that of his people. Atanarjuat won 20 awards, including eight Genies and the Caméra d’Or at the 2001 Cannes Film Festival.

“I am not surprised that The Fast Runner has been a box office hit in its opening engagements. It is unlike anything most audiences will have ever seen, and yet it tells a universal story.” — Roger Ebert, Chicago Sun-Times

Gaby (Arcand) lives alone on his family farm, while his two adult daughters live far away in the big cities. For Gaby, family always comes first. When Gaby’s eldest daughter finds herself in a financial emergency, she asks her father for immediate support to avoid losing her house for good. Gaby’s surprising response turns the whole family inside out, forcing everyone to re-examine the things they hold most dear.

A beautiful, evocative and emotionally powerful film about family, connection and growing older, whose startling insight and emotional maturity belies the youth of its director.

Shot in 1972 but released three years later, Bar Salon is a minimal, subtle drama that tells a tender and socially observant story. This simply shot black-and-white film follows Charles (L’Ecuyer), a down-on-his-luck salon owner who’s on the brink of losing his bar. With nothing left to do but close up shop, he manages to snag a gig that may go his way, but that too goes south.

This tender, witty and relatable slice-of-life film established writer/director André Forcier as a strong new voice in Quebec cinema. Forcier treats his characters with respect and affection, providing compelling insights into the gritty reality of their lives.

In this follow-up film to The Decline of the American Empire, Denys Arcand continues the story of Remy (Girard) a womanizing professor who is now terminally ill with cancer. It’s been 17 years, and Remy is divorced, estranged from his son and his friends, and in search of redemption and forgiveness. As Remy reunites with old friends and loved ones to reminisce about their younger days, the conversations are as gloriously all-encompassing in their scope as they were in Arcand’s previous film.

An illuminating bittersweet-comedy that won Canada’s first Oscar for Best Foreign Language Film. The film also won the award for Best Screenplay at the Cannes Film Festival and nearly 50 other awards. 

A box-office smash, Bon Cop, Bad Cop is an action-packed comedy about two policemen who are thrown together to solve a crime committed on the border between Quebec and Ontario.

Ward (Feore) and Boucher (Huard) couldn’t be more different: one is an English-speaker from Toronto, the other is a French-speaker from Montreal; one never deviates from established procedure, the other is a rebel who refuses to play by the rules. The detectives soon learn that if they are to solve this lurid crime, which is linked to the world of hockey, they need to stop bickering and work together.

With uproarious performances from both leads, Bon Cop, Bad Cop is a genuinely clever take on the buddy-cop genre that will keep you captivated throughout.

This award-winning feature-film debut by Robert Lepage is a Hitchcockian mystery set in Quebec City, both in the present (circa 1989) and in 1952, when Alfred Hitchcock’s I Confess was filming on location.

Unfolding in flashbacks between the past and the present, the film follows the story of an adopted man on a search for his true identity, as recounted by his mother to a priest in a private confessional. Family secrets are on the line, blurred by the filming of I Confess. Further, lies and intrigue are clouding the air with mystery — and the foreshadowed sparks of the Quiet Revolution are growing louder.

Winner of the Genie for Best Film, Best Director and several others.

Based on the real events that led to the 1970 October Crisis, Corbo follows Giovanni Corbo (Therrien), the son of the rich and powerful businessman Nicola Corbo (Nardi). Perhaps to rebel against his father's values, fresh-faced Giovanni finds revolutionary freedom in the friendship of two activists who encourage him to join the Front de libération du Québec (FLQ). As Giovanni’s behavior becomes radicalized, he quickly ascends the ranks of the FLQ, a group whose separatist desires are turning militant.

 

Refusing to paint too broad a brush on an important part of Quebec’s history, this gripping, beautifully crafted and moving Canadian Screen Award winner establishes director Mathieu Denis as a talent to watch.

A migrant worker fleeing retribution from a Mexican cartel finds a new life in rural Quebec but soon gets embroiled in his boss’ family drama, leading to an explosive conflict that will change both of their lives. Shedding an important light on the treatment of migrant workers in Canada, this latest feature from Ivan Grbovic was Canada’s official submission to this year’s Academy Awards.

A box office blockbuster and the winner of a whopping 11 Genies, C.R.A.Z.Y. is an infectious, entertaining coming-of-age drama. When Zac Beaulieu (Grondin) is born on December 25, 1960, it becomes clear that he is different from his four brothers. He vies desperately for attention and acceptance from both of his parents, but in particular from his loving and old-fashioned father, Gervais (Côté).

The film follows Zac as life takes him on an epic journey to come to grips with his sexual identity. Buoyed by a vibrant soundtrack, C.R.A.Z.Y. boasts countless moments of true movie magic. It is at once a crowd pleaser and a poignant auteur film.

In a remote part of the Quebec countryside, Jean-François (Bilodeau) brings up his daughter Julyvonne (Bilodeau) alone, home-schooling her in between shifts doing maintenance at an isolated motel. However, vague and mysterious occurrences — a blood stain at the motel, frozen bodies in the snow — soon threaten their peaceful solitude.

Atmospheric and suspenseful, Curling is a beautiful blend of realism with a dash of Hitchcock, set in the icy stillness of rural Quebec.

Winner of the Best Director and Best Actor awards at the Locarno Film Festival.

Hanna (Vanasse) is an unhappy tomboyish teenager living in 1960s Montreal. Her erratic father and perpetually sick mother aren’t much help as she tries to navigate the tricky terrain of puberty. Feeling isolated and alone, Hannah seeks to escape in cinema, becoming fixated on the beautiful and freespirited Anna Karina in Jean-Luc Godard’s Vivre sa vie (My Life to Live).

As her home life deteriorates, the confused Hannah attempts to emulate her movie idol, making some poor and potentially dangerous decisions before finding a healthy way to express herself and cope with her world.

A touching coming-of-age story that won four Jutras for director Léa Pool.

In this story of unlikely romance, Meira (Yaron), a young Hasidic Jewish mother, and Felix (Dubreuil), a young francophone man who is mourning the death of his estranged father, prove the age-old saying: opposites attract.

Showing off the multiculturalism and diversity of Montreal’s beautiful Mile-End district, this unique gem of a movie thrusts its characters into situations they are not familiar with and tells a relatable tale of human connection, which triumphs in spite of many cultural, personal and faith-based differences.

For his unusual love story, director Maxime Giroux took home the Toronto International Film Festival’s Best Canadian Feature Film Award and a slew of international prizes.

Canada’s foreign-language Oscar nominee for 2014, Gabrielle is a big-hearted drama about a young woman with Williams syndrome who has a genuine and infectious zest for life. Like most young adults, Gabrielle longs for independence, but when she falls in love with a young man in her choir, both the families and social workers worry that the two won’t be able to handle an adult relationship.

As the choir prepares for an important performance, Gabrielle must confront other people’s prejudices with courage and overcome her own limitations.

“On the surface, it’s a simple love story: girl meets boy, girl likes boy, girl kisses boy. But Louise Archambault’s Gabrielle is much more…a deeply affecting tale of difference, dignity and the healing power of song.”
— T’cha Dunlevy, Montreal Gazette

 

Manon (Laurier) is a lonely and precocious 13-year-old living in an isolated region of Quebec with her mother Michelle (Tifo) and uncle Guy (Houde). Her mother is preoccupied with her own responsibilities toward her developmentally delayed brother and her relationships with two unlikely suitors. Desperate for her mother’s love, Manon runs away and concocts increasingly dramatic ways to regain her attention.

Soon, the insurmountable pressures of poverty, family strife, and her mother’s tumultuous love triangle force Manon to make serious decisions about her future and her relationship with Michelle.

Considered one of the greatest French-Canadian films ever, this evocative tale of passion, jealousy, and love won eight Genie Awards, including Best Film.

A misfit among his brainy family members, lovable bouncer Doug “The Thug” Glatt (Scott) has a righteous left hook. His fighting skills are so strong, in fact, that he unexpectedly lands a spot on a minor-league Canadian hockey team, where his role as “enforcer” has him dropping gloves with opposing players to put them “on ice.”

Michael Dowse’s brilliant comedy is big on character and bigger on heart, sure to appeal to both die-hard hockey fans and sports-phobic audiences alike.